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El Chata 2018

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El Chata 2018

El Chata 2018

El Chata 2018
TV-MA | 1h 15min | Drama | 5 April 2018 (Puerto Rico)

Storyline:

Although Samuel has plenty of talent to be a boxing champion, he seems destined to receive blows like a punching bag. Now at thirty, he has to become a sparring partner because nobody is willing to give him a chance. Joe, his former coach, who is training a new prospect, decides to put him to test. Unable to feed his family and with temptations all over him, what he can only think about is getting back on the ring and prove himself and everybody else, that time in prison has changed him, and that he is determined to recover his family and win back his son affection. Back now in the neighborhood, life doesn’t let him take off his gloves off, not for a second. While the possibility of migrating is seen as a rebirth, Samuel knows that no matter where you go, the neighborhood is always within you.

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Martí, the Eye of the Canary 2010

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Martí, the Eye of the Canary 2010

Martí, the Eye of the Canary 2010

Martí, the Eye of the Canary 2010
José Martí: El ojo del canario (original title)
1h 45min | Drama, History | 8 March 2011 (USA)

Storyline:

The story of José Martí’s (Cuba’s National Hero) youth.

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Puppylove 2013

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Puppylove 2013

Puppylove 2013

Puppylove 2013
Not Rated | 1h 25min | Drama, Romance | 30 April 2021 (Germany)

Storyline:

At 14, Diane is an enigmatic teenager and a loner. She is busy bringing up her little brother, Marc, and has an intense relationship with her father, Christian. The appearance of Julia, a young charismatic and emancipated English girl, in her neighbourhood turns Diane’s everyday life upside down. Diane, who wants to break the bounds of childhood at any price, goes through the most dramatic experiences of her life in the space of six months. The closer she is to Julia, the more she turns her back on morality, paying no attention to the consequences or the limits of her desires.

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We Can’t Change the World. But, We Wanna Build a School in Cambodia. (2011)

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We Can't Change the World. But, We Wanna Build a School in Cambodia. (2011)

We Can’t Change the World. But, We Wanna Build a School in Cambodia. (2011)

We Can’t Change the World. But, We Wanna Build a School in Cambodia. (2011)
Bokutachi wa sekai o kaeru koto ga dekinai. But, we wanna build a school in Cambodia. (original title)
2h 6min | Drama | 23 September 2011 (Japan)

Storyline:

A young Japanese man works to raise money and then build an elementary school in Cambodia.

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The Great Ecstasy of Robert Carmichael 2005

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The Great Ecstasy of Robert Carmichael 2005

The Great Ecstasy of Robert Carmichael 2005

The Great Ecstasy of Robert Carmichael 2005
1h 36min | Crime, Drama | 20 October 2006 (UK)

Storyline:

An introverted, socially awkward, middle-class youth, Robert Carmichael, is a talented cello player but is bored by his existence in the coastal town of Newhaven. He becomes associated with several other unsavory teenagers and is soon tempted into the use of hard drugs like cocaine and ecstasy. Robert initially does not take part in the rape of a teenage girl in a squalid flat with the gang, but later joins in another violent attack on a middle-aged couple, with the woman involved being viciously raped.

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County Lines 2019

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County Lines 2019

County Lines 2019

County Lines 2019
1h 30min | Drama | 4 December 2020 (UK)

Storyline:

The term ‘county lines’ describes the practice of using children to traffic drugs from cities to coastal towns and rural areas, an under-reported fact of modern British life. Inspired by the stories he heard while mentoring kids at an East London pupil referral unit, writer-director Henry Blake’s powerful feature debut boasts a compelling central performance by Conrad Khan as 14-year-old Tyler, whose mum Toni (Ashley Madekwe) is struggling to provide for him and his sister. Excluded from school, Tyler becomes a train-bound narcotics courier for local criminal Simon, played with a calm menace by Harris Dickinson. County Lines (2019) depicts the ensuing cycle of debt, deceit and violent exploitation with a quiet stylistic confidence that’s all the more haunting for being so rigorously unsentimental.

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