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Lost Child 2017

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Lost Child 2017

Lost Child 2017

Lost Child 2017
1h 36min | Drama, Horror, Mystery | 14 October 2017 (USA)

Storyline:

Tatterdemalion is a dramatic thriller about a young army veteran suffering from PTSD who returns home to the Ozarks to look for her estranged brother and finds an abandoned young boy in the woods. As she searches for answers about who the child is, she discovers a mysterious world of folklore, clan rules and lies, ultimately putting her own life in jeopardy to protect the young boy and find out the truth.

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15 minutes scene from Lamb of God (Ivan Noel)

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15 minutes scene from Lamb of God (Ivan Noel)

15 minutes scene from Lamb of God (Ivan Noel)

15 minutes scene from Lamb of God (Ivan Noel)
Cordero de Dios (original title)
Drama

Storyline:

Only a few priests and interns remain in a secluded run-down boys religious boarding school in North Argentina in 1961. Arrives Father Martin, who’s intentions are not as clear as he claims they are.

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The Conformist 1970

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The Conformist 1970

The Conformist 1970

The Conformist 1970
Il conformista (original title)
R | 1h 53min | Drama | 22 October 1970 (USA)

Storyline:

This story opens in 1938 in Rome, where Marcello has just taken a job working for Mussollini and is courting a beautiful young woman who will make him even more of a conformist. Marcello is going to Paris on his honeymoon and his bosses have an assignment for him there. Look up an old professor who fled Italy when the fascists came into power. At the border of Italy and France, where Marcello and his bride have to change trains, his bosses give him a gun with a silencer. In a flashback to 1917, we learn why sex and violence are linked in Marcello’s mind.

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La Canta delle marane 1961

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La Canta delle marane 1961

La Canta delle marane 1961

La Canta delle marane 1961
10min | Short | 1961 (Italy)

Storyline:

A seemingly flattering eulogy of the existential anarchy of the young Roman sub-proletarians, their desperate vitality, their gaming communities … The film is in fact a striking social portrait and a precise denunciation, sketched without any sociological heaviness, because rich of piety and love never paternalistic. Thanks to a form with unrestricted sequence shots, the result is fully achieved and the film moves as much as it unworthy.

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