Man Behind the Sun 1988

Man Behind the Sun 1988

Man Behind the Sun 1988

Man Behind the Sun 1988
Hei tai yang 731 (original title)
1h 45min | Drama, History, Horror | 1 December 1988 (Hong Kong)

Storyline:

Story of a Japanese terror camp in the end of WW2, where the Japanese are using the Chinese as guinea pigs in terrible experiments to develop deadly bacterial-plagues.

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The Earthling 1980

The Earthling 1980

The Earthling 1980

The Earthling 1980
1h 37min | Adventure | Drama | 24 July 1980 (Australia)

Storyline:

Patrick Foley has been on the move all his life. Tired of drifting, he wants to spend his last days in an isolated Australian valley where he grew up. On his difficult journey he meets Shawn, a little desperate city-boy whose parents were killed in an accident in this remote inhospitable territory. Being unable to accompany the boy back to the civilized world he reluctantly takes him with him on his trip to that valley and teaches him in a rugged way how to survive …

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Without Snow 2011

Without Snow 2011

Without Snow 2011

Without Snow 2011
Utan snö (original title)
35min | Drama, Short | 2 April 2011 (Poland)

Storyline:

A brutal and naked portrait of a group of youngsters in a small Swedish town, where bullying leads to fatal consequences. 16-year-old Linus and his best friend are systematically harassing a boy in their school.

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L’amore buio 2010

L'amore buio 2010

L’amore buio 2010

L’amore buio 2010
1h 50min | Drama | 3 September 2010 (Italy)

Storyline:

Set in contemporary Naples, Dark Love focuses on the consequences of the brutal rape of a young woman by three teenage boys. Ciro is the only boy who shows remorse (he confesses his role, leading to recriminations from his fellow assailants), and part of the film is devoted to his experiences in an offshore juvenile prison. Simultaneously, the film follows the faltering efforts of the victim, Irene, to put her life back together, continue studying for university, and behave with some semblance of normality with her boyfriend and family. However, Ciro starts writing letters from prison to Irene, who eventually begins to read them. The two stories have a marked difference in tone. Ciro’s experiences are unsurprisingly gritty and occasionally violent, while Irene, in a much more meditative depiction, is shown going about everyday life while still disturbed and alienated by what she has been through. The interweaving of the two stories is skillfully handled, the use of Naples as a setting is evocative, and the performances from the young protagonists are little short of astonishing. Director Antonio Capuano has created an understated, challenging and meditative film which avoids either cheap moralising or simplistic resolution.

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