Zlé pondelí 1960
1h 17m | Drama | 14 October 1960 (Czechoslovakia)
Three nine-year-old boys blamed their classmate for ending up under the wheels of a truck. How to confess what happened? Adults do not have time or for selfish reasons do not want to deal more seriously with children’s problems. Morality for children and parents.
Akiko (Masami Nagasawa) is a single mother and her son is Shuhei (Sho Gunji). Akiko casually has sex with other men, including Ryo (Sadao Abe). Akiko is the only person whom Shuhei can rely on. One day, Shuhei makes a shocking decision.
Wir sind doch keine lahmen Enten 1988
1h 9m | Family | 1988
The summer holidays are finally here. Marco (Tobias Blume) and Tobi (René Hahn) have made many plans in advance that they believe are suitable for making the entire eight-week vacation accordingly varied and among boys. But then comes the “bad” news: Marco is supposed to go to a holiday camp in the Ore Mountains for a while. What about the beautiful plans of the two?
In order not to have to throw everything overboard in this respect and to be able to experience adventures together, Marco persuades his friend to accompany him by horse and cart from home to the holiday camp – the whole thing, of course, in a roundabout way, of course! And so the two boys begin an interesting, adventurous expedition. But then everything doesn’t go entirely without little “ailments”, so that they arrive at the holiday camp quite damaged.
1h 35m | Drama | 3 April 1982 (France)
Mérette is a pretty child, living within a patrician, strictly Calvinist family in the Switzerland of the 19th century. She is happy, until her mother dies, and she blames God, and gives up her religion. Her family turns against her, the villagers reject her, and her priest drives her into isolation.
Meztelen vagy 1972
1h 33m | Drama | 12 May 1972 (Hungary)
The director of Meztelen Vagy was imprisoned for many years during the latter part of the Stalin era and is known for his highly imagistic and symbolic storytelling techniques. This film tells its story in the same way, and at no point is the story made explicit. Images of love, death, suicide, violence and mutilation dominate.