The Annunciation 1984
Angyali üdvözlet (original title)
1h 40min | Drama | 27 April 1990 (Denmark)
Angyali üdvözlet, aka “The Annunciation”, is a surreal account of the history of humanity as portrayed entirely by children between the ages of 8 and 12. The film begins with the biblical story as Adam (Péter Bocsor) and Eve (Júlia Mérö), are deceived by Lucifer (Eszter Gyalog) — three very photogenic leads — into tasting the “Forbidden Fruit”. They are thus chased out of the Garden of Eden by the Angel of Death and, in a vision, sent on an existential journey through western European history.
My Mothers Castle 1990
Le château de ma mère (original title)
1h 38min | Adventure, Biography, Comedy | 26 October 1990 (France)
Every holiday Marcel and his family go to their cottage in the Provence (France). He likes the hills in this region. Before they arrive at the cottage they have to walk about 5 miles. With the co-operation of an ex-pupil of Marcel’s father, who’s a teacher, they only have to walk 1 mile, since they can take a shortcut along a canal, through the backyards of some eccentric people. During one of these holidays he meets Isabelle, a pretty but conceited girl…
Viva la muerte 1971
1h 30min | Drama, War | 12 May 1971 (France)
At the end of the Spanish civil war, Fando, a boy of about ten, tries to make sense of war and his father’s arrest. His mother is religious, sympathetic to the Fascists; his father is accused of being a Red. Fando discovers that his mother may have aided in his father’s arrest. Sometimes we witness Fando imagining explanations for what’s going on; sometimes we see him at play, alone or with his friend Thérèse. Oedipal fantasies and a lad’s natural curiosity about sex and death mix with his search for his mother’s nature and his father’s fate. Will Fando survive the search?
Death in Venice 1971
Morte a Venezia (original title)
2h 10min | Drama | 1 March 1971 (UK)
In this adaptation of the Thomas Mann novel, avant-garde composer Gustave Aschenbach (loosely based on Gustav Mahler) travels to a Venetian seaside resort in search of repose after a period of artistic and personal stress. But he finds no peace there, for he soon develops a troubling attraction to an adolescent boy, Tadzio, on vacation with his family. The boy embodies an ideal of beauty that Aschenbach has long sought and he becomes infatuated. However, the onset of a deadly pestilence threatens them both physically and represents the corruption that compromises and threatens all ideals.