En tu ausencia 2008 UNCUT
1h 35min | Drama | 7 October 2008 (Canada)
13-year-old Pablo is a quiet, lonely boy with a troubled past. His only friend is Julia, a shameless 15-year-old girl who is more than willing to help Pablo with his transition from childhood to adolescence, and give him some advice on sex, love and life in general. On a quiet country road just outside of the village, Pablo meets Paco, an oddly calm, well dressed stranger whose car just broke down. Nevertheless, he seems more interested in the boy than fixing his problem. At first Pablo maintains a cautious distance from the stranger, vaguely heeding his fellow villagers’ advice to keep his distance. However, the boy’s subconscious quest to find understanding of his dark past and guilt makes him lose all of his protective layers. He sees a new friend in Paco; someone he can open up to and feel valued by almost like a replacement father. As Pablo’s affection grows for the man, he is unknowingly and blindly being lead toward a tragedy that will scar him for life
The Heart Is Deceitful Above All Things 2004
R | 1h 38min | Drama | 19 January 2005 (France)
The dysfunctional twenty-three years old Sarah takes her six year old natural son Jeremiah from the home of his beloved foster parents with the support of the social service to live with her. Along the years, the boy shares her insane and lowlife style and is introduced to booze and drugs and mentally, physically and sexually abused by Sarah, her lovers and her religiously fanatic family.
Death in Venice 1971
Morte a Venezia (original title)
2h 10min | Drama | 1 March 1971 (UK)
In this adaptation of the Thomas Mann novel, avant-garde composer Gustave Aschenbach (loosely based on Gustav Mahler) travels to a Venetian seaside resort in search of repose after a period of artistic and personal stress. But he finds no peace there, for he soon develops a troubling attraction to an adolescent boy, Tadzio, on vacation with his family. The boy embodies an ideal of beauty that Aschenbach has long sought and he becomes infatuated. However, the onset of a deadly pestilence threatens them both physically and represents the corruption that compromises and threatens all ideals.
Flemish greater Brussels grocer Bert transferred his true passion, aiming for the national football (soccer) team, missed due to a knee injury, to his eager son Gilles (12), whom he coaches tirelessly. Excessive anger at the referee during the match when a scout may select Gilles for the provincial team, a crucial step, proves fatal for Bert’s heart. Gilles is frustrated that both the grocery shop and his mother gradually are taken over by football-ignorant accountant Joris and imagines still being coached by father. His own foot injury will either delay his ambition at a crucial or may end it altogether if not treated properly.
Brecha is a particularly vivid and realistic portrayal of the emotional rupture between a father recently released from jail and his 12 year old son, following a dark family tragedy that no one has strength enough to confront. Herself victim of the same in-communication, the boys grandmother tries her level best at normalizing their lives. However, not counting on the fathers incapacity at forgetting the past, and his sons increasingly peculiar behaviour. All three of them awkwardly attempt to plug the rift, only to worsen the situation with every try, leading them slowly to the brink of a new and permanent – disaster.
Maurice is a French teenager who escaped France and begins working at a hype club in Brooklyn called BIZARRE. He quickly becomes a sort of ‘mascot’ of this incredible club.The owner and the artists that perform there love him, but Maurice can’t love…because of the past…and his secrets.
Denmark, 1961. Bjørn, a middle-class boy in his early teens, wants to be accepted by Steen, a bullying peer of his with wealthy but freezingly cold parents. Bjørn’s other good friend is Mulle, a cheerful and more childish working-class boy. All three seem friends at first, but gradually Steen starts pushing Mulle away while pulling the impressionable Bjørn with him towards more and more tragic violent behavior, fueled by frustration over his loveless home life.
Au nom du fils 2012
1h 20min | Drama | 3 April 2013 (Belgium)
This movie is basically a Belgian version of the “Death Wish”-films, where good old Charlie Bronson went up against a bunch of various hoodlums and punks, but this time with a twist: The main protagonist is the radio-host Elisabeth (played wonderfully by Astrid Whettnall), a loving mother, who has recently had to go through a lot of anguish and suffering, as a direct consequence of something relating to priests (without going into further details, as not to spoil anything).
It is the end of the First Schleswig War and we follow the lives of two young boys living in a rural part of Denmark. Their dad along with the baron’s son, Didrich returns home as veterans. The dad sustained a leg wound and Didrich possibly got PTSD. In a modern story arch, a young girl Claudia is sent to help an old Baron.